Xavier Grau

Las puertas

In this exhibition, Xavier Grau shows us his commitment and constancy with painting. His painting is clearly indebted to the New York school, to Pollock and to abstract expressionism in its American aspect. In the words of the curator of this exhibition, Francisco Carpio: "our artist does not need to resort to figurative elements or motifs, nor to refer to any type or model of referentiality, which increasingly distances him from those figurative allusions that appeared in his paintings at the beginning of his career, the truth is that, like a good abstract painter, he pays tribute, more or less clearly, to nature and landscape as sources from which all abstract painting drinks and is hydrated". For all these reasons, the spectator is confronted with an artist who is interpretatively pictorial, making this act his way and style of life. Undoubtedly, this exhibition shows what is no longer shown, a painter with the firm conviction that painting has always been the beginning and the end of everything.

Las puertas

Exhibited works

  • ST - Xavier Grau

    Xavier Grau

    "ST - Xavier Grau"

  • Tres-I

    Xavier Grau

    "Tres-I"

    1999

    100 x 100 cm

    AS-208

    lienzo

    Mixta

  • 99-III

    Xavier Grau

    "99-III"

    1999

    100 x 81 cm

    AS-209

    Lienzo

    Mixta

  • Poinciana IV

    Xavier Grau

    "Poinciana IV"

    1999

    195 x 160 cm

    AS-256

    Lienzo

    Ácrílico

  • Humboldt V

    Xavier Grau

    "Humboldt V"

    1999

    150 x 150 cm

    AS-344

    Acrílico sobre lienzo

  • 02 BCN - 6

    Xavier Grau

    "02 BCN - 6"

    2002

    150 x 135 cm

    AS-520

    Lienzo

    Acrílico

  • 41822

    Xavier Grau

    "41822"

    2002

    146 x 114 cm

    AS-531

    Lienzo

    Acrílico

  • 02 bcn -5

    Xavier Grau

    "02 bcn -5"

    2002

    150 x 135 cm

    AS-532

    Lienzo

    Acrílico

  • Imago

    Xavier Grau

    "Imago"

    2006

    200 x 210 cm

    AS-655

    Lienzo

    Acrílico

  • Turbio

    Xavier Grau

    "Turbio"

    2006

    210 x 200 cm

    AS-699

    Lienzo

    Acrílico

  • Bon Black V

    Xavier Grau

    "Bon Black V"

    2005

    162 x 130 cm

    AS-700

    Mixta sobre lienzo

  • Bone Black II

    Xavier Grau

    "Bone Black II"

    2006

    100 x 81 cm

    AS-703

    Mixta sobre lienzo

  • Imago III

    Xavier Grau

    "Imago III"

    2006

    195 x 160 cm

    AS-704

    Lienzo

    Mixta

  • Bone Black III

    Xavier Grau

    "Bone Black III"

    2006

    100 x 81 cm

    AS-705

    Lienzo

    Acrílico

  • ST - Xavier Grau II

    Xavier Grau

    "ST - Xavier Grau II"

    100 x 100 cm

    Acrílico sobre lienzo

  • B-II-VIII

    Xavier Grau

    "B-II-VIII"

    2011

    100 x 90 cm

    AS-2002

    Acrílico sobre lienzo

  • B-II-XIV

    Xavier Grau

    "B-II-XIV"

    2011

    160 x 195 cm

    AS-2004

    Mixta sobre lienzo

  • B-II-XII

    Xavier Grau

    "B-II-XII"

    2011

    160 x 150 cm

    AS-2006

    Lienzo

    Mixta

  • B-11-XI

    Xavier Grau

    "B-11-XI"

    2011

    160 x 150 cm

    AS-2007

    Canvas

    Mixed technique

  • Sin título - Xavier Grau

    Xavier Grau

    "Sin título - Xavier Grau"

  • Barc 1-11

    Xavier Grau

    "Barc 1-11"

    2011

    170 x 195 cm

    AS-3003

    Lienzo

    Acrílico

Reviews

LAS PUERTAS

LAS PUERTAS

FRANCISCO CARPIO

In this exhibition, Xavier Grau (Barcelona, 1951 - 2020) shows us the commitment and perseverance with painting. This, his, is clearly indebted to the school in New York, Pollock and Abstract Expressionism in its American side.

In the words of the curator of this exhibition, Francisco Carpio: "our artist doesn’t need to resort to elements or motives of a figurative nature, nor to refer to any type or model of referentiality, which increasingly distances him from those allusions of figuration that appeared in the paintings at the beginning of his career, the truth is that, equally as a good abstract painter, he pays tribute, more or less seer, to nature and landscape as sources from which he drinks and hydrates all abstract painting". 

For all this, the viewer is facing an interpretively pictorial artist, making this act his way and way of life. Undoubtedly, this exhibition shows what is no longer shown, to a painter with the firm conviction that painting has always been the beginning and end of everything.

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