When art enters a home, it changes forever
Domicilio Particular·GAS® is a very special curatorial proposal that invites art to become part of everyday life. In this way, we transform the private sphere into a stage for contemporary art.
Domicilio Particular·GAS® goes beyond exhibition: it is a reinterpretation of how we see the space we inhabit. Each intervention is a dialogue between the domestic and the artistic, between routine and the extraordinary. It is a way of breaking down barriers, of experiencing art from a place of closeness and pure emotion.
Domicilio Particular·GAS® is an innovative concept conceived by the Ana Serratosa Gallery & Art Spaces and registered in Europe, USA, and Mexico.
It is a spatial intervention in an apartment building carried out by several artists who are assigned a corner of the building to transform the space with their work. This is always accompanied by a curator's narrative, creating a common thread between the two. This intervention seeks to humanize city buildings by giving their inhabitants a sense of belonging, creating a dialogue, and creating a unique experience.
Common and semi-public part of the building
Essential for registration, it encompasses all common areas of the building. These areas include the stairway leading up to the flats from the entrance, the stairwell, and the lift landing.
All of them have been transformed by works created by a selection of artists and curated by a professional who creates a narrative.
Private part of the building
The private part consists of the interior of the building's dwellings. Here, the artists' works also intervene in the living space, but this time in a more intimate way.
Public part of the building
This is the ground floor of the building, also featuring a work by an artist, which becomes a showcase onto the street where it is always on display to passers-by, surprising them as they walk by and making it a unique building.
The public part of Domicilio Particular – GAS50 at Cabillers 5 has been converted into an extension of the Ana Serratosa Gallery, displaying emblematic works by artists exhibited in the gallery or in museum spaces.
Enrique Asensi's work can currently be viewed in the public area of the building.
Contemplating the works in this exhibition, I thought that this is a silent choreography, like a voice without beginning or end, Mallarmé's silent orchestration. Creating in silence, coming and going, thinking about something that could be and is not finished, but one thought gives rise to another.
-Alfonso de la Torre
Enrique Asensi
Untitled, 2025
Corten steel, German dolomite
200 x 105 x 6 cm