Bob Verschueren

"A First Vegetal Flow"

Pedro Medina

The Belgian author Bob Verschueren, whose artistic career is defined by taking nature as the main reference in his works, brought us in "A First Vegetal Flow" an exhibition in which he moves the natural world to an interior space; where the pieces flooded floors and walls, colonizing the environment and giving rise to a completely transformed landscape. Recognized especially for its outdoor installations, what Verchueren proposed in this exhibition was the complete decontextualization of the plant elements; thus allowing the visitor to have a new experience based on the perception of the natural object in a scenario that was totally foreign to him, and in which he acquired an unknown role and meaning. Among the pieces that made it up, we found works of very varied formats and compositions, among which were included small installations that allowed the viewer to enjoy a whole experience not only visual, but broadly sensory. This experience was an "apéritif" of the laborious project on a large scale that the artist carried out a few months later: "Echoes of memory 2016".
"A First Vegetal Flow" | Pedro Medina
Discover the exposition

Works

  • Squares

    Bob Verschueren

    "Squares"

    2016

    114.00 x 107.00 x 10.00 cm

    Wood

    Assembled Branches

  • Pine Needles Drawing

    Bob Verschueren

    "Pine Needles Drawing"

    2016

    120.00 x 80.00 x 3.00 cm

    Wood

    Mixed technique, Pinocha and clorofila

  • Cupules Circle

    Bob Verschueren

    "Cupules Circle"

    2016

    45.00 x 45.00 x 3.00 cm

    Wood

    Vegetal composition with acorn

  • Brosimum utile I

    Bob Verschueren

    "Brosimum utile I"

    2016

    15.00 x 23.00 x 10.00 cm

    Bronze

    Sculpture

  • Coccoloba uvifera

    Bob Verschueren

    "Coccoloba uvifera"

    2016

    12.00 x 24.00 x 17.00 cm

    Bronze

    Sculpture

  • Brosimum Utile 2

    Bob Verschueren

    "Brosimum Utile 2"

    2016

    19.00 x 20.00 x 9.00 cm

    Bronze

    Sculpture

  • Feuilles d'olivier

    Bob Verschueren

    "Feuilles d'olivier"

    2015

    20.00 x 20.00 cm

    Wood

    Composition with olive leaves

  • The escape

    Bob Verschueren

    "The escape"

    2013

    60.00 x 130.00 x 50.00 cm

    Wood

    Assembly

  • Prunus Serrulata

    Bob Verschueren

    "Prunus Serrulata"

    2016

    21.00 x 37.50 cm

    Wood

    Mixed media with cherry leaf

  • Acer Platanoides

    Bob Verschueren

    "Acer Platanoides"

    2016

    26.00 x 41.00 cm

    Wood

    Mixed media with maple leaves

  • Feuilles de bettes

    Bob Verschueren

    "Feuilles de bettes"

    2003

    115.00 x 50.00 cm

    Paper

    Monotype engraving

Gallery

  • "A First Vegetal Flow" | Pedro Medina
  • "A First Vegetal Flow" | Pedro Medina
  • "A First Vegetal Flow" | Pedro Medina
  • "A First Vegetal Flow" | Pedro Medina
  • "A First Vegetal Flow" | Pedro Medina
  • "A First Vegetal Flow" | Pedro Medina
  • "A First Vegetal Flow" | Pedro Medina
  • "A First Vegetal Flow" | Pedro Medina
  • "A First Vegetal Flow" | Pedro Medina

Reviews

BOB

A FIRST VEGETAL FLOW

PEDRO MEDINA

The Belgian author Bob Verschueren, whose artistic career is defined by taking nature as the main reference in his works, brought us in "A First Vegetal Flow" an exhibition in which he moves the natural world to an interior space; where the pieces flooded floors and walls, colonizing the environment and giving rise to a completely transformed landscape.

Recognized especially for its outdoor installations, what Verchueren proposed in this exhibition was the complete decontextualization of the plant elements; thus allowing the visitor to have a new experience based on the perception of the natural object in a scenario that was totally foreign to him, and in which he acquired an unknown role and meaning.

Among the pieces that made it up, we found works of very varied formats and compositions, among which were included small installations that allowed the viewer to enjoy a whole experience not only visual, but broadly sensory. This experience was an "apéritif" of the laborious project on a large scale that the artist carried out a few months later: "Echoes of memory 2016".

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